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Thursday, 17 December 2009

  • Holiday Movies: Part I

    Invictus – When I first saw the preview for Clint Eastwood’s (Gran Torino) latest directorial project, I couldn’t help but feel a little underwhelmed – especially when I saw that Matt Damon (Finding Forrester) would be in it.  Nothing really against Damon, per se, but I just can’t quite picture him working very well with Eastwood.  However, the picture turned out to be pretty good, but it was a little talky.  Morgan Freeman (Wanted) delivers a very tailored performance portraying South African President Nelson Mandela.  He obviously did his homework.  Damon surprised me, in that he actually did a pretty good job.  His last effort – Steven Soderbergh’s The Informant! – left me longing for the days when Jason Bourne was still around.  However, it must be the Eastwood effect, as he can really get a lot out of his actors.  (Check out Hillary Swank and Freeman in Million Dollar Baby or Angelina Jolie in Changling, and tell me I’m wrong.)  Still, it’s a tough subject to tackle, and I can’t imagine a better person to do it than Eastwood.  There’s nothing really raw or subjectively challenging, it’s just an inspirational tale of the uniting of a nation – something that President Obama could learn from.  The true story of how a nation bitterly divided became united through rugby was probably indeed quite tricky, but Eastwood and company pulled it off.  It won’t make your spirit soar like some other films have, but it’s still a worthy addition to Eastwood directorial repertoire.  There’s some bad language (all within the PG-13 limits), but some of it is very hard to catch, due to the thick South African accents of the characters.  Also, since the film features apartheid themes, it may be better for only those mature enough to understand them.  While it may be Oscar bait on the part of Eastwood, Freeman, and Damon; it’s a far cry from the normal, depressing, agenda-driven fare that is usually churned out this time of year in hopes of taking home a statue. 

     

    The Princess and the Frog – Well, I had my reservations about this movie from the get-go.  It seemed that it was only made to help incorporate an African-American into Disney’s princess sisterhood.  It just had a very affirmative action feel from the first time I heard that they were making it.  Plus, Oprah is part of it.  Need I say more?  And while it may have been made on the aforementioned premise alone, the theme was thankfully played down in the actual movie.  There was one line that could be construed as racially-charged, but since it’s rated G, there wasn’t too much to worry about – more on that later.  I was pleased that Disney returned with this nice, 2D musical, and shows that all the flashy CG in the world doesn’t necessarily mean a great film – though, Pixar utilizes it quite nicely.  Anika Noni Rose (Dreamgirls) voices the princess in question, and is joined by a plethora of talented, but lesser known singers including Jim Cummings (“Star Wars: The Clone Wars”), Michael-Leon Wooley (Ghost Town), and Broadway actress Jennifer Cody – who’s quite showstopingly hilarious.  Keith David (Gamer) plays the voodoo doctor villain, and may be reason enough for parents to be cautious.  There’s some less than wholesome material involved beyond transformation from human to frog including blood sacrifice and summoning “those from the other side” – so use discretion.  However, it’s pretty safe otherwise, and quite entertaining with some great jazz music and beautiful animation.  It may not be the best thing that Disney animation has churned out, but it’s a nice addition to their library. 

Tuesday, 08 December 2009

  • Currently
    Place in the Sun
    By Tim McGraw
    Please Remember Me
    see related

    Journal 9.32

    Warning: bulleted list to follow…

    Life:

    ·        Went to see 2012. Thoroughly unimpressed, but some great effects.

    ·        Saw Wicked at the Music Hall with Carlsie and most of the Cunningham clan.  Fantastic.

    ·        Saw the first snow of the year on November 16th.

    ·        Went to the Southern Missouri Assembly of God Youth Convention (I think that’s the name of it) with Ed and Julie’s youth group.  It actually wasn’t too bad.  KJ-52 and Seventh Day Slumber were there.  I wasn’t a big fan of the latter, and I may not have much KJ-52 on my iPod, but he does put on a very energetic show.  The speakers were also pretty good.  However, I’m never having kids.  There were a few really good kids, but there were some who tested my patience.  Still, it could have been worse.

    ·        Had Bethlehem practice on the 22nd, on a beautiful day.

    ·        I decided to go see The Blind Side, after hearing that Carlise really liked it.  We now agree that our favorite line from the movie is now among the top 10 greatest movie lines of all time. 

    ·        Worked cattle the day before Thanksgiving.  The whole family (sans the travelling Paul, Rachel, and the boys) was there to help, as was Clarissa.  We had one pasture where the bull was not as effective as he should have been, so he’s been eliminated.  We decided that due to the unexpected events and the fact that we had about 20 open cows, we’d be fast-tracking our eventual plans of a fall-calving herd.  Turns out that the bull with our heifers was apparently also ineffective.  So, we’ve made our fairly reliable Herford bull a very happy camper.  How was that for keeping the details to a tactful minimum?

    ·        Thanksgiving was pretty good.  We had a few of the aforementioned cows to work to prepare them for fall pasture, then the overeating at the dinner table commenced.  It was only my immediate family (again, sans Paul, Rachel, and the boys), Grandma, Grandpa, Ed, Julie, Justin, and Daniel, but it was good times nonetheless.  Dad and I got Justin and Daniel to help us with some wood cutting, which resulted in a pickup load of oak stacked at the house.  Good use of the afternoon.  Christina came over later that evening, and played some pitch with Carlsie, Mom, and I.  She won every game – even with switching partners.  There’s something strange with her…

    ·        The day after Thanksgiving, after a later than expected start, Dad and I headed west with Tim and Ian in tow.  I drove the whole way.  Ulgh.  We made a stop at Bluestem in Emporia – where I had to break down and buy some bigger jeans, which hopefully will be too big for me come graduation – and then proceeded to Ness City after dining in Great Bend (at a less than stellar Montana Mikes).  We got to Carlsie apartment (an a monstrous Simone) around 8, and I was probably asleep by 9:30. It was awesome.  We met up with Andy and Austin at Russell’s place the next morning, before we proceeded to the normal hunting grounds where [the other] Andy and the dogs were waiting.  Austin brought his 12-week-old lab, Kimber, with him.  She was adorable, and quite the trooper.  It was a beautiful day, just light jacket weather. I nailed the first pheasant the dogs got on.  It was a black one that [the other] Andy had decided to release for some variety – or as he called it, “the Obama pheasant”.  I proceeded to knock a bunch more down, surprisingly not getting much support from the rest of the guys.  We got 19 all together, and I think I got or assisted on 10.  During our last stretch of walking, when we were close enough to the end for me to have me 12-gauge resting comfortably on my shoulder in non-anticipation of seeing anything, I just about stepped on a hen, resulting in her flying up right in front of me and me jerking me head back and knocking it on my gun before completely missing her (yes, you can shoot hens on this place), and getting no assistance from either of my flanks.  Weak.  Dad got a jackrabbit though, so that made his day.  Usually we don’t shoot at them since the dogs are right on them, but this one was a long way from the dogs – who missed the aforementioned hen.  We hunted from about 9:00am to 2:00pm, then did some meandering around looking at equipment at Delaney’s and such before heading to the Legion for supper.  Oh. My. Goodness.  Melt in your mouth amazingness that was prime rib.  On top of that, MU beat KU.  Quite a satisfying day, indeed.  We got back to Carlsie’s place and watched Star Trek, before turning in.  The next day we ate breakfast, then headed back east.  We made awesome time – me driving the whole way back.  We stopped at the gas station before we left Ness City, then didn’t stop again until we met up with Carlsie at the KFC in Emporia.  We got home about 3, and I was back to my apartment before “Family Guy” started.  What a great weekend. 

    ·        I went to see The Road Wednesday night.  It was only playing in the Fork & Screen, so I treated myself to an adult beverage and a prime rib dip and fries.  The movie was kind of tough to watch, but for more, read my review.

    ·        I took Friday off to help Jared with some wood splitting, and so I would be on time to Bethlehem.  Jared and I got quite a bit done, but we also had time to chit-chat – something that we don’t get to do too much anymore.  It was kind of chilly, but the sun was out, and it didn’t take long to get warmed up while swinging a maul.  Good times. 

    ·        Bethlehem was good, and fairly uneventful per se.  Cody and I were the tax collectors this year, and we played off one another pretty well.  Friday night it was cold, but thankfully clear.  We had 283 people that night, including a big group from Topeka who challenged my material capacity as a tax collector.  Saturday night was much larger, with 577 people.  Smaller than years prior, but there were a lot of out-of-towners.  I taxed Aunt Wendy a big hug.  Before I even got there Sunday night, Norm and Ellen called it off due to the weather.  It was misting around 4:30 when I found out, but it was snowing by 6:30 when I headed home, so it was a good call.  Apparently this was the last year for Bethlehem, but it was really fun while it lasted, and a great ministry opportunity. 

    ·        Dad and I got some stuff done on the farm over the last few weeks.  We finally finished harvesting the beans that were in a mudhole, and we got the combine and accessories put away for the winter.  We also did some cleanup around the barnyard, which has thankfully dried out significantly over the last week or two. 

    ·        I am making myself get back in better shape.  I’ve spent too long just being lazy and not spending the time in the gym that I should have been instead of going home and sitting in front of the computer or TV.  So – the mission begins.  Night one (last night): 35 minutes on the elliptical, 15 on the rowing machine, 15 on the stair climber.  Not bad.  Plus, working out is much easier when watching “That 70s Show” and “Family Guy”.

    Work:

    ·        Qatar isn’t terrible, but it’s getting really old.  I’m not sure who to blame for the endless changes that happen every time a submittal is reviewed, but the architects seem like a reasonable target.  There’s a ton of grading work to be done yet, as well, and I haven’t even started on it for fear of something big changing again just after I complete it.  So, for now I’m just stuck going through a litany of little things, hoping someone in upper management can put there foot down and stand up to these architectural prima donnas.

    ·        Fortunately, there hasn’t been much Lockheed to talk about.  Every now and then the structurals will update a file and have me bind it to the survey – because apparently that’s outside the realm of their comprehension – but that’s about it.

    ·        Bentonville went through a bunch of changes.  Partially my fault, but the engineer took it upon himself to take my little mistake and make more changes that should have been done six months ago.  He also informed me that half of the driveways for the project were located right where existing fire hydrants were.  Again, shouldn’t this have been figured out months ago?  Oh well, it’s done…for now.

    School:

    ·        Almost done with semester…weather permitting.

    ·        Gave the worst evaluation of my college career to my operations management professor the other night.  I had angry writers cramp before the end of it.  Tonight is our scheduled final (non-comprehensive last test), but I imagine he won’t show up being the spineless little worm that he is.  Still hoping to pull a C in that class.  And this might be bad, but I think I’d be just fine with a D, just because I loathe that class so much.

    ·        Business policy is basically done.  I really don’t know what we’re doing tomorrow night, but I guess I’ll find out.  I have a confession to make – I actually skipped last week’s class to go see The Road.  I had already presented my SWOT evaluation of myself two weeks prior, so I didn’t really see the need to be there. 

    ·        I’m still clinging to a B in my law class, surprisingly.  I got most of the points from my paper, and I did pretty well on the last test, considering.  I really don’t know how well I’ll do on the final.  I’ve got the essay questions already, but I haven’t written the answers.  That’s tonight/tomorrow. 

    ·        I have all the materials I need to start my two independent study classes, but I’m waiting until I finish at ESU for the semester before I really tear into them.

    Other movies:

    ·        Good: Finding Forrester, GoodFellas, Reservoir Dogs, Naked Gun 2½: The Smell of Fear, Naked Gun 33 1/3: The Final Insult

    ·        Marginally good: Casper, The Goods: Live Hard, Sell Hard, My Sister’s Keeper, Music of the Heart, Out of Africa, Rogue, The Slipper and The Rose, Alex Rider: Operation Stormbreaker

    ·        Lacking: Casshern, Observe and Report, The Taking of Pelham 123, Thirst

Thursday, 03 December 2009

  • Fall Movies: Part IV

    The Blind Side – I didn’t hear too much buzz about this one from the beginning, just that it was based on a true story.  The closer it got to release the more I saw it advertised during Sunday afternoon football.  It even got a rave review in World magazine.  So, naturally, I had to go check it out.  I’m glad I did.  The story is very uplifting and so far above the typical drivel that flows out of major movie studios these days.  Sandra Bullock (All About Steve) gives probably the best performance of her career in this film.  It’s great to see her getting Oscar buzz for this film, because her character is not one who would normally get noticed by the Academy.  That said, I’m sure the Academy will find some other woman to nominate for Best Actress, because women who don’t show their [assets] rarely get nominated for the award, it seems.  That, and she plays a Christian who walks the walk – a guaranteed detriment to her chances.  Still, she’s hilarious.  My favorite quote from her may involve a bad word, but it’s priceless.  However, as far as I’m concerned, she’s the best I’ve seen all year.  Quinton Aaron (Be Kind Rewind) plays young man at the heart of the story, and does quite well.  The other players include Tim McGraw (Four Christmases), Kathy Bates (Failure to Launch), and a hilarious Jae Head (Hancock).  A great story, and some very heartfelt messages – you’re not going to get much better coming out of Hollywood.  There’s a few minor cautions, including a few bad words (but not really bad), some realistic depictions of the harsh realities that inner city kids face.  It’s probably not for little kids (it’s PG-13, by the way), but it’s probably pretty safe for most family viewing.  I’m sure the awards won’t get heaped on this film like other, lesser films will, but it’s a sure fire bet for families looking for something good to go see in theaters. 

     

    The Road – This is a movie that has been continually delayed, and now that I’ve finally seen it, I’m kind of perplexed as to my feelings on it. There’s no denying that Viggo Mortensen (Witness) and Kodi Smit-McPhee (who opted out of playing young Logan in X-Men Origins: Wolverine to play this role) give some powerful performances in this film, but it’s incredibly bleak.  Even Robert Duvall (The Godfather) – one of my favorite actors – can’t really elevate the film any more.  Guy Pearce (Death Defying Acts) has a small, but likeable role, whereas Charlize Theron (Men of Honor) is by far the most unlikable and seemingly out of place character.  Granted, when facing the situations depicted in the film, it might be a little bit easier to justify her thoughts and actions.  Still, I did find the intenseness of the film a little foreboding.  It has some very heavy elements, and the characters make an odyssey of sorts though the film, running into interesting characters while still fighting for their lives.  It’s some intense subject matter at points – cannibalism and suicide being at the forefront.  I can’t say that it was a depressing movie, but the overwhelming bleakness made it something that I don’t really care to see again.  There were some redemptive elements, such as the bond between father and son and their willingness to endure despite their circumstances.  At least there was a sense of closure at the end.  The post-apocalyptic atmosphere really helped to highlight the darker side of human nature, while fortunately not telling the whole story on what really happened.  Instead of focusing on what happened, the characters merely struggle to survive – a task that is harrowing, and at times can feel hopeless.  It’s no wonder that Mortensen and Duvall are getting Oscar buzz, because their characters are roughly hewn and nearly unrecognizable.  Still, I can’t really say they were stunning in their roles.  As mentioned previously, there are some severe cautions, and it’s not an easy movie to watch.  In addition to cannibalism and suicide, there’s some bad language and some [inexplicit, but unnecessary] nudity.  If you enjoyed Children of Men, you might like this film, but it’s not as good.  And I apologize if this review reads like a ramble, as I still can’t hone my feelings on it.

  • Movies 9.35 - Ghosts, Crocodiles, Vampires - Oh My!

    Casper – I remember seeing some of this flick when I was a kid, but obviously nothing really stuck.  It’s not what I would consider a great family film, or really a great film overall, but it has its moments.  Of course, since it deals with ghosts and the afterlife, it’s probably best not to let little kids watch it.  It’s even kind of frightening in some parts.  Since it’s supposedly good-hearted fun with a somewhat positive message, I’ll spare you the rant on what I think of movies with ghosts and such. Bill Pullman (Wyatt Earp) and Christina Ricci (Speed Racer) are the two main characters, and they both do decent with their parts, especially since a lot of their interaction involves characters that were added in later.  The positive messages kind of overwhelm the cheesy factor, but again, this probably isn’t for kids.  There’s not a whole lot of adult humor like so many of the kids movies aimed at adults these days, but there is some drinking and some minor bad language.  Kind of a dichotomy of a flick, but possibly worth a viewing.

     

    Casshern – I really don’t know where to begin with this one.  There’s not really a lot to say.  I put it on my Netflix on the advice of a friend, based on my opinions of other movies.  I can’t really say that it was a bad movie, but it just seemed like a hodgepodge of elements from other, better films.  There was a lot of elements stolen from films like Sin City and Sky Captain and the World of Tomorrow.  Also, the elements from films like Final Fantasy and Frankenstein-esque films really weigh it down.  There’s some pretty cool sequences, but the Japanese dialogue is kind of hard to follow.  Plus, the post-apocalyptic atmosphere doesn’t lend itself well to the story, in addition to never really knowing who’s side who is on.  I guess if you liked the Final Fantasy movies, or are a fan of other semi-strange Japanese action films, this one might be for you.  However, if you’re easily confused, it might not be.

     

    Finding Forrester – I don’t remember why I put this movie on my Netflix – probably because of all the Bond movies I’ve been watching, but it was kind of a surprise.  Sean Connery (Never Say Never Again) is quite good in this one, as is the then-newcomer Rob Brown (The Express).  There’s also small parts for the affable Anna Paquin (Trick ‘r’ Treat), and the oddity that is Michael Pitt (Funny Games).  Plus, Matt Damon (The Informant!) has a very small part – small enough for me to wonder why he played it.  The strange thing about this movie was how well it transcended the multiple topics that it related to.  From racism to brilliant inspiration to seclusion.  It did a pretty good job keeping it from being just another urban drama, just another basketball story, or just another rags-to-riches story.  It really strove to connect with the viewer.  Still, it was kind of chock full of bad language (but somehow still in the PG-13 area) and the ending was only marginally satisfying.  I had never seen a film by Gus Van Sant before – mainly because I don’t really care for unabashed Oscar films, but this one was pretty good.

     

    GoodFellas – This one was kind of interesting.  I’ve seen quite a few of the gangster flicks over the past  year or so, and this one was one of the better ones.  It has that distinctive edge that director Martin Scorsese (The Departed) gives to his films, but doesn’t have as many missteps as some of his other films do.  Still, chronicling the lives of gangsters over several years does carry problems, but it’s still pretty well executed.  Scorsese favorite Robert de Niro (The Deer Hunter) takes a back seat to Ray Liotta (Wild Hogs) who is the story’s centerpiece.  However, the real shiner here is Joe Pesci (Lethal Weapon 4) – who actually won an Oscar for his portrayal of a foul-mouthed, trigger-happy gangster.  The first two-thirds of the film are the best, going into great detail on what life in the mob is actually like.  The third act was severely dragged down by the drugs, even though it was probably pretty factual.  It’s rated R for good reason – language, violence, drugs, and a conjugal visit of sorts. Still, if you enjoy a good crime/mob dramas, you might enjoy this one.

     

    The Goods: Live Hard, Sell Hard – Where do I even begin with this one?  I’ll just start off by saying that this movie isn’t a great movie, but I still found myself laughing hysterically at a few parts.  The plot is kind of dumb really, and there isn’t really a likeable character in the whole movie, but for some reason it’s still pretty funny.  Maybe it’s the smooth delivery of Jeremy Piven (The Family Man), or the delightfully homophobic David Koechner (Extract).  Possibly it’s Ving Rhymes’s (Mission: Impossible III) wry sense of humor, or Ed Helms’s (“The Office”) outlandish character.  Or maybe still it’s the unbelievably shocking, yet hilarious Kathryn Hahn (Revolutionary Road).  It definitely wasn’t Will Ferrell (Land of the Lost) in a multifaceted, sacrilegious cameo.  It’s a R-rated comedy (for sex, nudity, drugs, and language) that’s shocking, but not like the stupid shocking humor you’d expect to find in “comedies” like Step Brothers or Pineapple Express.  If you like Piven, Koechner, or Hahn, you’ll probably enjoy this one, that is, if you can get past the overratedness that is Ferrell. 

     

    My Sister’s Keeper – This movie was kind of a dichotomy for me.  The central story was very good, and the entire cast – including Abigail Breslin (Zombieland), [a rarely decent] Cameron Diaz (Charlie’s Angels: Full Throttle), Jason Patric (The Alamo), and [very out of the ordinary character] Alec Baldwin (My Best Friend’s Girl) – does a great job with the very tough material.  Still, at times it really felt as though the film was trying to toy with the viewers emotions.  Plus, the convoluted back-and-forth between what is perceived to be happening in the now with past events felt very confusing a points.  Also, director Nick Cassavetes (Face/Off) spent too much time trying to make it an art film instead of focusing on the heart of the story – of which there was an ample amount.  Even so, it was very touching – maybe due to said emotional toying.  There’s some notable cautions – some bad language, implied “relations” between teens, and drinking – but it’s well within the PG-13 bounds.  Still, the story centerpiece - medical emancipation – is very tough from all perspectives.  It’s a good story that had very great potential, but didn’t quite achieve the heights it could have.  However, I’ll still have to recommend it because of the touching nature and powerful performances. 

     

    Music of the Heart – This one didn’t quite live up to expectations for me.  I really thought I’d like it a lot more than I did.  I think the reason why it didn’t achieve my relatively high standards was because it was such a blatant message movie.  Granted, I’ve seen a lot worse and unabashed.  Still, it’s not bad for a urban drama.  Meryl Streep (Out of Africa) is good as usual, and even pulled off playing the violin convincingly.  However, her feminist-ish role was just what you’d expect from her.  The rest of the cast was somewhat decent, and included Angela Basset (Meet the Robinsons), Aidan Quinn (Legends of the Fall), singer/songwriter Gloria Estefan, and a host of talented kids.  Really, the surprising thing about this film was the fact that it was directed by Wes Craven (A Nightmare on Elm Street).  Not the kind of film you’d expect from him, or a director you’d think Streep would want to work with.  It’s a PG-rated flick that’s got some innuendo and some bad language, but most of it is just the typical “fight for arts in school” drama.  Not terrible by any means, but it just didn’t meet high hopes.  

     

    Observe and Report – This was one of those movies where I was pulled in by a surprisingly effective marketing campaign.  It was described as a dark comedy, but it looked more to be just a hard R-rated version of Paul Blart: Mall Cop.  It was a little bit of both.  It definitely had the depressing, uninspiring tone of what Hollywood consideres to be a “dark comedy”, and it also featured the shocking antics that come with hard R-rated comedies – including a very much extended, disgusting slow motion chase of an overweight flasher [who lets it all hang out] through the mall.  It was a little disappointing to see Seth Rogen (Funny People) in the lead, as he has much more potential than this dismal affair.  Anna Faris (The House Bunny) was kind of funny, only because we all know someone like her.  The rest of the cast was kind of out of place, but there were some surprising sides of Ray Liotta (GoodFellas), Michael Pena (World Trade Center), and Danny McBride (Land of the Lost) that some might not have seen before.  I wouldn’t really recommend it to anyone, unless you really enjoy a dark comedy – complete with the heavy amounts of quasi-depressing material and all the vile material that this movie entails. 

     

    Out of Africa – Well, I guess I don’t really know what to say about this one.  I guess it could have been a lot worse.  I mean, it features Meryl Streep (The Deer Hunter) and Robert Redford (Charlotte’s Web) – two of the most far-out leftists in Hollywood these days.  I guess the redeeming quality of the film was the fact that it mostly left politics out, and tried to really focus on the strange relationship that their characters had.  Plus, they both carried guns at one point – something you’ll probably never see again.  Ok…to the actual story.  I will say that I found the whole arranged marriage/marriage of convenience of Streep to Klaus Maria Brandauer’s (Never Say Never Again) character to be strange from the beginning.  But then that develops into what seems like a double-sided love triangle that is generally accepted.  You kind of just have to watch the film to understand completely.  Streep did do a pretty good job with the Danish accent, but she was kind of the victim through the whole film.  However, director Sydney Pollack’s (Michael Clayton) shots of the beautiful African landscapes and composer John Barry’s (Dances With Wolves) beautiful score make the film more than just another star-crossed lovers movie.  It does have some content that is adult-related (adultery and its consequences, racial and gender stereotyping, etc.) but it treats them with surprising discretion – keeping the film in a PG-rating.  Still, there are better movies out there (Australia comes to mind), but you might check this one out if you like the genre.

     

    Reservoir Dogs – Wow.  What a surprising debut for director [and co-star] Quentin Tarantino (Inglorious Basterds).  This was one of the few movies that really takes advantage of the real-time perception intertwined with back-story, and does it well.  I found it interesting that Tarantino really upped the noir and didn’t really focus heavily on the minor characters – such as himself.  It’s a heist movie gone completely wrong, but delves deep into the core of it’s central characters including Harvey Keitel (The Piano), Tim Roth (The Incredible Hulk), Steve Buscemi (Big Fish), Michael Madsen (House), and Chris Penn (Footloose).  Still, it’s a Tarantino movie – so to say that it’s chock full of vile language, blood, and heavy violence would be an understatement.  However, this is probably one of his better movies.  It’s grounded in somewhat realistic situations, and really isn’t insanely over the top like so many of his other films.  If you’re a fan or Tarantino [and haven’t already seen this one], you might want to check this one out.

     

    Rogue – This isn’t just another creature feature.  This is actually a pretty good flick – despite the somewhat familiar and expected ending.  It’s kind of a blend of Jaws and Lake Placid – which it will most likely draw the most similarities from.  However, this is not as funny as the comedy-horror that was Lake Placid, but it has the grounded realism that made Jaws so scary.  The big difference here from the two aforementioned films is that it takes place in the beautiful surroundings of Australia’s Northern Territory.  The beautiful scenery really makes Australia look inviting, until a gigantic reptile spoils the fun.  Michael Vartan (Monster-in-Law) is the supposed lead, and [the underrated] Radha Mitchell (Finding Neverland) does a pretty convincing job with her role.  However, I was kind of disappointed with lack of utilization of Sam Worthington (Terminator Salvation).  I though he had much more potential than what the movie gave him to work with.  Still, I’ll have to see how well he does with Avatar coming up, as well as Clash of the Titans in the spring.  This movie was pretty good, but it’s a creature feature, so it’s kind of bloody/violent, and there’s quite a bit of bad language.  Still, if you’re a fan of the genre, defiantly check this one out.  It didn’t make a big splash at the box office, but it’s probably worth the home viewing.

     

    The Slipper and the Rose – This was just another one of the movies that Christina has put on my “required viewing” list.  I actually found it kind of funny.  I wasn’t a big fan of the dramatic ending, when you know exactly how it’s supposed to end from the beginning, but it was still pretty good overall.  It really doesn’t quite follow the formula to a “t”, but it’s still pretty predictable.  However, it’s a different kind of Cinderella story, where it’s a musical comedy with dramatic elements.  Although, I did find the singing and dancing to be a little strange, because it’s set in [what appears to be] the Elizabethan period.  However, it’s still pretty well acted and sung, as well as quite funny in parts.  Very old-school musical, and probably to be enjoyed by those who are die-hard musical fans.  Certainly not my favorite classic movie musical, but still pretty good.

     

    The Taking of Pelham 123 – I couldn’t quite bring myself to getting excited for this movie.  From the first preview to the actual viewing on DVD, it just didn’t pull me in.  Maybe it wasn’t quite as good of a marketing campaign as it could have been, or maybe I just knew that it would only be marginally satisfying.  I was right.  I tried to make the most of the watching this movie, so I watched it at Jason and Karen’s on their 50” plasma whilst housesitting, but that still didn’t make it great for me.  You can’t say that Denzel Washington (The Bone Collector) and John Travolta (Bolt) don’t do a good job, or that the supporting cast including John Turturro (The Big Lebowski), Ramon Rodriguez (Transformers: Revenge of the Fallen), and James Gandolfini (Romance & Cigarettes) don’t help.  It’s just that I think that the frantic direction by director Tony Scott (Domino) really kept the movie from being more.  That, or the fact that it’s just not a great story, and there’s not really anything groundbreaking.  It’s kind of violent, and there’s a lot of language – like most of Scotts movies.  It just never stuck with me.  If you like heist/ransom movies, you might like it, but there are better movies of the like out there.

     

    Thirst – Well…it’s certainly different.  That’s about all I can really say about this movie.  While not as super-campy as Twilight, nor really as lackluster as Bram Stroker’s Dracula, it’s kind of an oddity of a vampire movie.  Naturally, the fact that it’s Korean sets it apart from the rest of the vampire movies out there, but it was the fact that the story centered on a priest who becomes a vampire (though categorical means) that really got me to want to see it.  So, that part of the story was really good.  However, that was just about a third of the movie.  It went downhill from there.  Whether it be the graphic, unappealing sex scenes, or the strangeness that envelops the rest of the movie, it just didn’t do anything for my interest in vampires.  It was quite unconventional, but that didn’t lend itself to the substantively lacking story.  There’s some resolution, but then it’s under very strange circumstances.  I consider myself a die hard vampire fan – so die hard, that I’ve actually sat through Twilight on DVD – but this one falls into the subpar category.    

Friday, 13 November 2009

  • Fall Movies: Part III

    2012 – Wow.  Not necessarily in a bad way, but not really in a good way.  I’ll give one thing to director Roland Emmerich (10,000 B.C.), he sure knows how to destroy stuff on film.  This movie is basically the end-all of disaster films though.  No one can really top this.  However, I do find it interesting that he went out of the way to not destroy Mecca (or at least not show it), but pinnacles of Christendom were ardently annihilated.  That’s a whole different rant though.  Really, he steers clear of politics otherwise, but there’s a few lines that might ruffle some feathers of fellow Christians like it did me.  The whole film is so incredibly over the top that to begin to explain it would be pointless.  Through the whole movie I had that “It’s the end of the world as we know it” song stuck in my head.  That basically sums it up.  Besides the boat load – pun intended – of spectacular special effects, the rest of the movie is sort of on autopilot.  The actors are sometimes laughably bad.  Not that the cast doesn’t try, but how do you act off this kind of script?    John Cusack (Identity) still hasn’t proved to me that he’s a capable actor.  Amanda Peet (Battle for Terra) plays the role of the worrisome woman, while Thandie Newton (Mission: Impossible II) only comes off half-believably. Woody Harrelson (Zombieland) delivered a few good little scenes, and I could totally picture him doing the kinds of things he did in the movie in real life. I actually quite enjoyed Oliver Platt (Frost/Nixon) in this film, despite the fact that he’s supposed to represent the villain of sorts – which also erked me, when a few scenes could have been interpreted as “the evil American wants to run the world, but we need to make decisions on a global level” kind of thing.  Chiwetel Ejiofor (Talk to Me) and Danny Glover (Blindness) are the real spoilers here, because I like both of them, and find them to be capable actors, but this just made them look one dimensional and silly.  The whole movie was one of those so-bad-that-it’s-kind-of-good things.  Seeing California break off and fall into the ocean: priceless.  Watching Yellowstone become a gigantic volcano: wow.  Seeing monuments crumble and tidal waves sweep the planet was breathtaking.  Having to watch the little side stories, though, was a bore at times.  And the Poseidon-esque last part was laughable as well.  There’s some bad language and innuendo, but the real caution here is the fatalities on a near global scale – not unlike most of Emmerich’s movies, just completely ramped up this time around.  10 points for the astounding effects, Mr. Emmerich, but minus 3 for the lackluster acting/trivial, quasi-connected side stories, and another for the cheesy conclusion.  Still, it’s guiltily entertaining for those who, like me, enjoy a good disaster flick.   Oh...on a little bunny trail...whoever told Adam Lambert that he could sing needs to clean their ears out.  He sucks.  His little "Time For Miracles" really frosted me while the credits rolled.  He's got a really annoying wannabe Queen voice that screams homo - pun intended.  I didn't watch much of him on 'American Idol', but thank goodness Kris Allen won. 

     

    Law Abiding Citizen – I had originally intended to wait to see this on DVD, but I went to see it with Jared and Christina when they wanted to go see a movie.  It was between this and The Men Who Stare at Goats, and I made Jared decide.  You do the math.  Honestly, it didn’t live up to my expectations.  It was a little more shocking than I thought it would be in some places, but it never really had that taut, smart feel to it that I was expecting.  Sure there were some shocking moments, and some awesome camera work – particularly near the end – but it never really stuck, and the end was only marginally fulfilling.  Don’t get me wrong, Gerard Butler (Gamer) does a very good job in his role – though I don’t get [the scene that will make ladies go gah-gah].  Jamie Foxx (Dreamgirls) was semi-well cast, in that he can play a [jerk] very well, but I never bought him as a lawyer.  Of all the supporting cast, Viola Davis (State of Play) is the only one that really stood out.  She does have quite a scene-stealing presence about her – much like she did in Doubt.  It’s very violent – Saw-esque in parts – and there’s a lot of bad language and the aforementioned scene [where ladies go gah-gah].  Still, it might be enjoyed by fans of Butler or Foxx, or for those who don’t replay how things should have went in the film.  There’s better vengeance flicks out there though.